Thursday, December 16, 2010
Happy Birthday Jane Austen!
Sunday, December 5, 2010
Calleigh's Blog Project
~ Calleigh
Wednesday, December 1, 2010
Skyeler's Northanger Abbey Project
Imagination
The creaking cabinet calls my hand
It begs
It pleads
Ignites imagination
The horror grasps
The haunted grinds
Imprints upon susceptive minds.
With facade of mystery
How can I withstand
When the unidentified
Ignites imagination.
I have become inventor
Of eerie unknown
When candlelight extinguished
Those flames depart
To ignite imagination
To make my life a novel
For of horror’s pretense
My mind is occupied.
My rest deterred by fiction
I brought upon myself
That a washing bill from cabinet’s claws
Ignites imagination.
This is a poem I wrote, describing Catherine's vivid imagination as she found the cabinet in her bedroom at Northanger Abbey.
Skyeler
Narrations of Notability
Below are my favorite quotes from Northanger Abbey. :)
"Catherine wished to congratulate him, but knew not what to say, and her eloquence was only in her eyes. From them however the eight parts of speech shone out most expressively, and James could combine them with ease."
"But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way."
"The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid."
Skyeler
Monday, November 29, 2010
Saying Farewell to Northanger Abbey
Calleigh's finished plate. She only cut out one of her dresses, but she matched the fabric very well with the hat :)
Tuesday, November 23, 2010
A Few of Mr. Tilney's Many Memorable Quotes
(To Catherine)"You feel, as you always do, what is most to the credit of the human nature." (think this is one of my favorites)
(To Catherine)"This is a very nice day, and we are taking a very nice walk, and you are two very nice young ladies. Oh! It is a very nice word indeed."
~Elizabeth~
Wednesday, November 17, 2010
Victoria's Favorite Northanger Abbey Quotes
"Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard...and he was not in the least addicted to locking up his daughters." (Chapter 1)
"'I have hitherto been very remiss, madam, in the proper attentions of a partner here; I have not yet asked how long you have been in Bath; whether you were ever here before; whether you have been at the Upper Rooms, the theatre, and the concert; and how you like the place altogether. I have ben very negligent--but are you now at leisure to satisfy me in these particulars? If you are I will begin directly.'
'You need not give yourself that trouble, sir.'
'No trouble, I assure you madam.' Then forming his features into a set smile, and affectedly softening his voice, he added, with a simpering air, 'Have you been long in Bath, madam?'
'About a week, sir,' replied Catherine, trying not to laugh.
'Really! with affected astonishment.
'Why should you be surprised, sir?'
'Why, indeed!' said he, in his natural tone. 'But some emotion must appear to be raised by your reply, and surprise is more easily assumed, and not less reasonable than any other.'" (Chapter 3)
"James and Isabella led the way; and so well satisfied was the latter with her lot...that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times." (Chapter 7)
"She applied to Mrs. Allen, and Mrs. Allen's opinion was more positive [concerning the day's weather]. 'She had no doubt in the world of its being a very fine day, if the clouds would only go off, and the sun keep out.'" (Chapter 11)
"The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid." (Chapter 14)
"'I do not understand you.'
'Then we are on very unequal terms, for I understand you perfectly well.'
'Me? Yes; I cannot speak well enough to be unintelligible.'" (Chapter 16)
"If Wednesday should ever come! It did come, and exactly when it mght be reasonably looked for." (Chapter 26)
"Her [Eleanor Tilney's] husband was really deserving of her...I have only to add - aware that the rules of composition forbid the introduction of a character not connected with my fable - that this was the very gentleman whose negligent servant left behind him that collection of washing-bills...by which my heroine was involved in one of her most alarming adventures." (Chapter 31)
-Tori
Monday, November 15, 2010
Victoria's Northanger Abbey Project
First, we have Catherine and James Morland. Although we do not actually see them interact with one another until later, the very beginning of the novel tells of the Morland family. They are a practical, kind, and somewhat sheltered and naïve family, and their children mostly follow that trend. Catherine and Henry Morland were two out of ten children, Henry older than Catherine. The siblings meet for the first time in the novel on the streets of Bath. As Catherine and her friend Isabella Thorpe are walking to a shop, they are nearly run down by a gig, which surprisingly produces both their brothers. As we observe the reception with which Catherine and James meet each other, we see joyful, warm surprise on Catherine’s part and tender affection on James’s. “Catherine…received her brother with the liveliest pleasure; and he, being…sincerely attached to her, gave every proof on his side of equal satisfaction…” (Chapter 7). Another critical time shared between the siblings is when they are far apart. As Catherine is at Northanger Abbey, eagerly awaiting a letter from Isabella, she is surprised by a letter from James. The news that it brings breaks her heart, both for the loss of her friend and for the broken heart of her brother. After sharing his sorrow, he writes, “dear Catherine; you are my only friend; your love I do build upon” (Chapter 25). As Catherine is pondering this letter and the contents of it, Henry Tilney notices her distress. She tells him it is from James, and that he is very unhappy. Tilney notes, “‘To have so kind-hearted, so affectionate a sister…must be a comfort to him under any distress’” (Chapter 25).
The next brother and sister pair we can analyze is Isabella and John Thorpe. We know that Isabella is the oldest daughter, but we do not know her age in comparison with John’s. These two meet for the first time during the book the same time as the Morland’s meet. Their greeting was not so warm and affectionate, for while Isabella is busy attempting to attract the attention of James Morland, John only “slightly and carelessly touched the hand of Isabella” (Chapter 7). In the same passage, after John tells Catherine he will take her for a drive the next day, Isabella says—obviously hinting to James, “‘My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third.’” John scoffs, “‘A third indeed! No, no; I did not come to Bath to drive my sisters about’” (Chapter 7). Although Isabella and John do not have any other specific face-to-face interactions, we can observe John Thorpe’s salutations to the rest of his family to guess exactly how close the Thorpe siblings are. He greets his mother by saying her hat makes her look like a witch, and “on his two younger sisters he then bestowed an equal portion of his fraternal tenderness, for he…observed that they both looked very ugly” (Chapter 7). Although John may have had somewhat more respect for Isabella than his younger sisters, in general, John is not a very pleasant or kind brother.
The final set of siblings for us to look at is Eleanor and Henry Tilney. The first time that we see the two together is through Catherine’s eyes. She sees them during a ball, within three yards of where she was sitting. “He looked as handsome and as lively as ever, and was talking with interest to a fashionable and pleasing-looking young woman, who leant on his arm” (Chapter 8). The most revealing scene is their country walk with Catherine. Not only do we get to see them converse with one another with ease and familiarity, but Eleanor also relates a narrative concerning The Mysteries of Udolpho. “I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it’” (Chapter 14). Their playful teasing and witty banter, although completely lost on Catherine, is very revealing to us to show us their mutual intelligence and affection. Eleanor says, “Miss Morland, he is treating you exactly as he does his sister. He is forever finding fault with me, for some incorrectness of language, and now he is taking the same liberty with you” (Chapter 14).
These three sets of siblings are comprised of complex and incredibly alive characters. Although Catherine and James Morland are undoubtedly much closer than Isabella and John Thorpe, they do not appear as close as Eleanor and Henry Tilney. Jane Austen seems to be using this sister/brother dichotomy to explain each individual character more. Each member of the set is a foil to the other; reflecting their counterpart’s characteristics for readers to see. By looking a little closer at each sister/brother relationship, we can see each individual sibling more clearly.
Welcome to Northanger Abbey
Thursday, November 11, 2010
A Poem for Two Voices
Wednesday, November 10, 2010
Sense & Sensibility Activity Day
Me tracing Calleigh's silhouette. I can't tell you how many times we got the giggles while doing this. Maybe that's why we couldn't hold still :)
Saturday, November 6, 2010
Victoria's Favorite Sense and Sensibility Quotes
"'Dear, dear Norland!' said Marianne, as she wandered alone before the house, on the last evening of their being there; 'when shall I cease to regret you!—when learn to feel a home elsewhere!—Oh! happy house, could you know what I suffer in now viewing you from this spot, from whence perhaps I may view you no more! And you, ye well-known trees!—but you will continue the same. No leaf will decay because we are removed, nor any branch become motionless although we can observe you no longer! No; you will continue the same; unconscious of the pleasure or the regret you occasion, and insensible of any change in those who walk under your shade! But who will remain to enjoy you?'"
"Conversation however was not wanted, for Sir John was very chatty, and Lady Middleton had taken the wise precaution of bringing with her their eldest child, a fine little boy about six years old, by which means there was one subject always to be recurred to by the ladies in case of extremity, for they had to enquire his name and age, admire his beauty, and ask him questions which his mother answered for him..."
"Marianne would have thought herself very inexcusable had she been able to sleep at all the first night after parting from Willoughby. She would have been ashamed to look her family in the face the next morning, had she not risen from her bed in more need of repose than when she lay down in it."
"'You and I, Sir John,' said Mrs. Jennings, 'should not stand upon such ceremony.'
'Then you would be very ill-bred,' cried Mr. Palmer.
'My love you contradict every body,' said his wife with her usual laugh. 'Do you know that you are quite rude?'
'I did not know I contradicted any body in calling your mother ill-bred.'"
"...Elinor was the only one of the three, who seemed to consider the separation as anything short of eternal."
-Tori
Friday, November 5, 2010
Elizabeth's Favorite S&S Quotes.
Marianne: “What do you mean?”
Edward: “Shall I tell you?”
Marianne: “Certainly”
Edward: “Well then; I guess that Mr. Willoughby hunts.” :)
“Mr. Palmer will be so happy to see you,” said she; “What do you think he said when he heard of your coming with Mamma? I forget what it was now, but it was something so droll!” Mrs. Palmer
Insight Edition note "We can only imagine"
I love quotes :)
Elizabeth*~
Friday, October 29, 2010
Calleigh's Favourite Sense and Sensibility Quotes
- Calleigh
Thursday, October 28, 2010
Sentences of Sentimentality
Wednesday, October 27, 2010
Calleigh's Sense and Sensibility Project
Skyeler's Sense and Sensibility Project
Late Evening
While visiting at
Oh, why would he not tell me? How could he deduce that hiding such a relationship would become amiable in the slightest? I abhor such secrecy as it is meant to harm, and have not yet understood why he has chosen to use it against me. It is the nature of a woman to find offence in being an object of a man’s pleasure; a man presumed even as a gentleman!
And yet, perhaps Edward still remains a gentleman as I once presumed. I cannot believe he would use me for his own enjoyment; he is too respectable for such actions. Nay, he has done no wrong toward me! He was sworn to secrecy by Lucy, and trapped in his engagement. The circumstances being thus, how would he be able to reveal that information to me? He was not wrong in his dealings with me. Despite what I allowed my emotions to integrate, he never revealed his own as certain. He was an engaged man, and I perceived incorrectly. He will marry Lucy, as he should, and remain true to his honor. And I…I will be as if nothing ever existed between us.
And yet, even that is hard to believe. Though my mother and sister both possess rapid imaginations, even I believed him attached to myself. Despite his inability to pursue such an attachment, I would not have questioned that his attentions toward me implied a desire for a more intimate connection. Yes, I perceived him to be in love with me. I believe his love for me now! Oh, but now he is to be forced into an attachment with Lucy. How cruel! I admit to even feeling sorry for him; for Edward truly deserves better than that insipid, selfish girl. He will be bound by honor, and thus will he marry. Not for love, nor happiness, nor even wealth; but for honor. Such a gentleman does not warrant to be left to Lucy’s utilization.
Yes, I believe his honor to be one of his greatest attributions. But I must detain my hope for a life with him. How little I knew I ever desired it until now? I must let him keep to his nobility, and I will, somehow, be content.
Elinor Dashwood
I enjoyed writing this tremendously! Recording emotions into a journal is something I do rather frequently, and this gave me a good perspective on what it might be like to see through another's eyes; not only what they do, but what they feel. ~ Skyeler
Victoria's Sense and Sensibility Project
I used a little color to add a bit more information to my chart as well as to make it prettier. :)
I had a lot of fun compiling this project!
-Tori
Tuesday, October 26, 2010
Elizabeth's S&S Project: Elinor and Marianne's Songs
Behind the Scenes By Francesca Battistelli,
Elinor's Song
You may think,
I'm just fine,
How could anything ever be out of line?
I take my time,
To set the stage,
Make sure everything, is all in place.
And even though I've got the line rehearsed,
A picture only paints a thousand words.
(Chorus)
Things aren't always what they seem,
Your only seeing part of me,
There's so much more that's going on,
Behind the scenes.
I'm incomplete an I'm undone,
But I suppose like everyone,
There's so much more that's going on
Behind the scenes.
Sometimes I can't see anything,
Through the dark,
Surronding me,
And at times I'm unsure,
About the ground,
Beneath my feet,
If it's safe and sound,
When it's hard to find hope in the unseen,
I have peace in knowing it will find me.
(Chorus)
You may think,
I'm just fine,
How could anything
Ever be out of line?
(Chorus)
When Love Takes You In By Steven Curtis Chapman
Marianne's Song
I know you’ve heard the stories
But they all sound too good to be true
You’ve heard about a place called home
But there doesn’t seem to be one for you
So one more night you cry yourself to sleep
And drift off to a distant dream
(Chorus)
Where love takes you in and everything changes
A miracle starts with the beat of a heart
When love takes you home and says you belong here
The loneliness ends and a new life begins
When love takes you in
(Chorus)
And somewhere while you’re sleeping
Someone else is dreaming too
Counting down the days until
They hold you close and say I love you
And like the rain that falls into the sea
In a moment what has been is lost in what will be
When love takes you in everything changes
A miracle starts with the beat of a heart
And this love will never let you go
There is nothing that could ever
cause this love to lose its hold
(Chorus)
Monday, October 25, 2010
First Look at "Sense & Sensibility"
And discuss we did! The girls had plenty to say and a few pages of notes! Three hours was hardly enough time to discuss the merits of Elinor's "sense" or Marianne's "sensibility," or just how much we hate Lucy Steele and Fanny Dashwood. I had an activity planned for the day, however, we only got to the first half of it. The girls read aloud from Joyful Noise: Poems for Two Voices by Paul Fleischman. It is poetry meant to be read both separately and together by two readers. It proved to be quite a challenge and the girls enjoyed giving it a go, though Calleigh thought reading about insects was a bit odd (and dare I say, unromantic). :) The second half of the activity is to pair up and compose a poem for two voices for Elinor and Marianne, and that will have to wait till our next meeting.
The girls having tea and dessert. Starting at the left and going around the table we have Sarah, Aly, Tori, Calleigh, Skyeler, and Elizabeth. Hadley wasn't able to be there.
Look at all those books, papers, and notebooks! The girls were prepared for some heavy discussion. Tori even had her blanket :)
Pairing up to read Joyful Noise: Poems for Two Voices
Angel
A Journey Begins
My own journey into Jane Austen's novels began with my parent's discovery of BBC's Pride and Prejudice (1995). After viewing the mini-series, I was curious to read the novel. I had thought myself to be a widely read person, but somehow I had missed Jane Austen. The love of Jane Austen's work has been evolving ever since, through the novels I have read and the movie adaptations I have watched.
Skyeler (and even Aly) has come to share my love of Jane. Really, I'm not sure that she had much of a choice. Our circle of friends here, both moms and girls, have their own love of all things Austen. Somehow Jane has made her way into our everyday lives. Whether we are discussing the merits of Colin Firth as the ultimate Mr. Darcy, which one of us is more of an "Elinor" or "Marianne," or just slipping our favorite Jane Austen quotes into any and every conversation, Jane is near by.
With all of this Austen-ness floating around, I thought it only appropriate that one of Skyeler's high school electives this year be a literature study focused on the works of Jane Austen. Skyeler had yet to read all of her works and after some internet research, I could see the whole study coming together. We invited Sharon, Tori, and Elizabeth - Robin, Hadley, and Calleigh - and Beverly and Sarah to join us and Conversations with Jane was born.
As the school year progresses, we will make our way through all of Jane Austen's published novels, as well as some of her unpublished works. Conversations with Jane will encompass the reading of the novels, discussion, a Regency inspired activity, and a blog project. The year will culminate with the girls attending a Regency Ball in a Regency gown that they are even now working on sewing themselves.
For each novel we read, the girls will be required to complete a project to be posted here on the blog. This will also be the place for them to share their favorite quotes and any other thoughts they may have. I will also be sharing pictures and anecdotes from our Conversations with Jane meetings.
So we invite you to join "The Austen Sisters," as the girls have so named themselves and the blog, each month and share in our journey. We hope you find it all that is amiable and agreeable.
Angel